Tags: creativity, curriculum, curriculum design
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With an ever increasing focus upon the need to develop graduates with high level creative, risk-taking, and entrepreneurial skills, it is more important than ever to explore our approaches to the teaching-learning process. Graduate teachers need to be able to design, plan and deliver exciting, engaging and innovative learning opportunities. This article argues that the approach to planning, whether formal or informal, needs to be considered in relation to developing creative learning activities and creative learning environments. We need to start questioning the processes we use to plan the types of learning environments and activities that encourage the development of creativity. This article explores different approaches to planning and asks, ‘are we using the most effective approaches to planning to ensure creative skills are developed?’
Rationalistic, technical curriculum planning has been the dominant model underpinning planning for teaching and learning for a generation or more in England and Wales (Parkay and Hass, 2000) and involves the use of a linear approach to planning, which begins with the specification of objectives and ends with a lesson evaluation. This dominant or ‘rational’ approach to planning is based on Tyler’s (1949) model of curriculum theory and practice, comprising a systematic approach based upon the formulation of behavioural objectives. This approach provides a clear notion of outcome, so that content and method may be organised and the results evaluated. It considers education to be a technical exercise of organising the outcomes or products of learning, whereby objectives are set, a plan drawn up and applied and the outcomes (products) measured. Snape (2013) provides an example of what he defines as ‘quality learning’ through such a technical, sequenced linear pathway, including: the intended learning; teaching episodes; opportunities for tangibly evidenced student work; and criteria for successful achievement.
Several alternative and adapted planning approaches are present in the current literature, which are particularly pertinent to when requiring a more creative, risk-taking approach to teaching and learning, for example in Technology education. The ‘naturalistic’ or ‘organic’ model, based on the work of Stenhouse (1975) and Egan (1992; 1997), was developed from the apparent conflict between the need to carefully specify learning intentions and the dynamic nature of classrooms, and was an attempt to emulate a realistic planning process based on the ‘natural’ interactions in a classroom. Naturalistic planning involves starting with activities and the ideas that flow from them before assigning learning objectives (John, 2006). Although lacking detail in terms of pedagogical requirements and consideration, this model does resonate with Perkins, Tishman, Ritchart, Donis and Andrade’s (2000) notion of ‘learning in the wild’, when learning settings are recognized as ‘messy and complex’ (Carr, 2008: 36). Perkins and Saloman (1992) argue for the need for learners to experience more ‘natural’ learning environments, with teachers’ planning procedures supporting this notion.
Within a creative or problem-solving learning space – for example, in a Technology education context – ‘wicked problems or tasks’ (Rittel and Webber, 1973) can be set. These are described as ‘problems of deciding what is better when the situation is ambiguous at best’ (Marback, 2009: 399), and support the ‘naturalistic’ model, as wicked problems are not solvable. These problems are contingent problems of deciding what to do. They require continual evolution and, as such, are based upon the continual morphing of ideas and idea development, through a problem- solving process (Kimbell, Saxton and Miller, 2000). Such a ‘naturalistic’ model requires teachers to plan and create realistic design scenarios in order for students to learn the authentic nature of design activity, thus allowing students to experience environments where experimentation and exploration are dominant approaches.
The ‘interactional method’ of planning, another alternative to the dominant model, stresses the interactive nature of learning and, therefore, learning objectives (Brady, 1995; Bell and Lofoe,1998). Whilst the ‘interaction’ model specifies the same design elements as the linear objectives model, the ‘interactional method’ planning process can begin with any of the elements. Based on this model, all curriculum elements interact with each other throughout the design/planning process and, therefore, the design of one element will influence and possibly change the design decisions for other elements. For example, method might be specified first, but altered later as a result of an assessment decision. From a practical perspective, this model makes it possible to specify learning objectives after all other elements have been decided (Bell and Lefoe, 1998).
The ‘articulated curriculum’ (Hussey and Smith, 2003: 360) provides a similar approach to the ‘interactional model’, where the respective elements exist in a state of mutual interaction and influence. Alexander (2000) compares this ‘articulated curriculum’ approach to planning to the structure of a musical performance, where the composition is analogous to the lesson plan, and the performance shifts according to interpretation and improvisation. This ‘responsive’ approach to planning requires the teacher to be vigilant of the learning progression within the class and respond accordingly, and is synonymous with the formative assessment principles of ‘feedback’ (Ramaprasad, 1983). Biggs’s (1999) notion of constructive alignment also supports this way of approaching planning for teaching and learning.
To allow students to develop creative, risk-taking, critical thinking and problem-solving skills, we as educators need to provide authentic opportunities for students to develop such skills. By using different approaches to planning, teaching and learning, a greater range of ideas are produced and consequently new and innovative teaching and learning environments are potentially developed. Arguably by generating a creative input into the initial stages of the teaching-learning process, we are more likely to not only produce a creative output, but maintain creativity and innovation throughout the process. I believe it is important for pre-service teachers to have the opportunity to explore different approaches to planning, to develop their own approaches and styles, and to identify planning approaches that support the nature of the subject being taught.
Alexander, R. (2000). Culture and Pedagogy. Oxford, UK: Blackwell.
Bell, M., and Lofoe, G. (1998). Curriculum Design for Flexible Delivery- Massaging the Model. In R. Corderoy (ed), Flexibility: The Next Wave. Wollongong, Australia: Australian Society for Computers in Tertiary Education.
Biggs, J. (1999). Teaching for Quality Learning at University. Buckingham: SRHE and Open University Press.
Brady, L. (1995). Curriculum Development. Australia: Prentice Hall.
Carr, M. (2008). Can assessment unlock and open the doors to resourcefulness and agency? In S. Swaffield (ed.), Unlocking Assessment, 36-54, Abingdon, UK: Routledge.
Egan, K. (1992). Imagination in Teaching and Learning. Chicago: University of Chicago Press.
Egan, K. (1997). The Educated Mind: How Cognitive Tools Shape Our Understanding. Chicago: University of Chicago.
John, P. (2006). Lesson planning and the student teacher: re-thinking the dominant model. Journal of Curriculum Studies, 38 (4), 483-498.
Hussey, T., and Smith, P. (2003). The Uses of Learning Outcomes. Teaching in Higher Education, 8 (3), 357-368.
Kimbell, R., Saxton, J., and Miller, S. (2000). Distinctive Skills and Implicit Practices. In J. Eggleston (ed.), Teaching and Learning Design and Technology, 116-133. UK: Continuum.
Marback, R. (2009). Embracing Wicked Problems: The Turn to Design in Composition Studies. National Council of Teachers of English, 61 (2).
Parkay, F. W., and Hass, G. (2000). Curriculum Planning. (7th, Ed.) Needham Heights, MA, USA: Allyn and Bacon.
Perkins, D. N., and Salomon, G. (1992). Transfer of learning. International Encyclopedia of Education, Second Edition. Oxford, UK. Pergamon Press. [online]. Available at: http://www.cdtl.nus.edu.sg/Ideas/iot18.htm [Accessed on 31 March, 2013]
Perkins, D., Tishman, S., Ritchart, R., Donis, K., and Andrade, A. (2000). ‘Intelligence in the wild: a dispositional view of intellectual traits’. Educational Psychology Review, 12 (3), 269-93.
Ramaprasad, A. (1983). On the definition of feedback. Behavioural Science, 28, 4-13.
Rittel, H. J., and Webber, M. (1973). Dilemmas in General Theory of Planning. Policy Sciences, 4, 155-169.
Snape, P. (2013). Quality Learning for Technology Education: An Effective Approach to Target Achievement and Deeper Learning. PATT conference, 137-145. Canterbury: University of Canterbury.
Stenhouse, L. (1975). An Introduction to Curriculum Research and Development. London: Heinemann.
Tyler, R. (1949). “How Can Learning Experiences be Organised for Effective Instructon?” Basic Principles of Curriculum and Instruction. Chicago, USA: University of Chicago Press.
Dr Mary Southall is currently the Curriculum Advisor for the School of Education, having worked in the UK as an independent education consultant for over ten years. Prior to this, she worked as a design and technology teacher in a range of school contexts and was involved in the development of the National Strategies embedded in all secondary schools in England and Wales.
The need for flexible, personalised and responsive curriculum September 13, 2015Posted by Editor21C in Directions in Education, Engaging Learning Environments, Primary Education, Secondary Education.
Tags: creativity, curriculum, exemplary teachers, NAPLAN, personalised learning
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from Steve Wilson
Imagine you had promised your friend or partner that you would go with them to watch a movie each week for a full year.
Imagine then, having made this commitment, that your friend or partner did not consult with you about which movies to watch – they simply selected the movie each week, irrespective of your own preferences or tastes, and expected you to come along.
You might put up with it for awhile. You would likely develop resentment about the situation. Eventually, as an adult, you might confront your friend and explain your feelings and try to change things. If they didn’t change, in all likelihood, you would simply stop going to the movies with them.
For children and young people in schools, the school curriculum is like being forced to go to the movies, to see things they often don’t like or can’t see the point of, but where they do not have the adult prerogative, legally at least, of simply not going to school. Trapped in schools with an unresponsive curriculum, feelings amongst young people towards school can and frequently do include resentment, apathy and disengagement. Every teacher commonly experiences these feelings amongst their children, and not just amongst the children who are the lowest academic achievers.
We should not underestimate the power of an unexplained and unresponsive curriculum as a factor in child and youth disengagement from school. Nor should it be underestimated as an explanation for any perceived decline in international education standards among western nations where, in most facets of life, young people influence and exercise considerable choice in most other areas of their lives except in school.
In writing this piece I am assuming curriculum as a broad entity, ranging from the documents comprising the Australian curriculum and the range of state-based adaptations to it, through to the formal and informal learning experiences of children in classrooms and schools, structured and developed under the auspices of each school.
Curriculum is the key. A cynic might say that curriculum is what education systems DO to learners in schools. A greater cycnic might say that what is done to learners is also being done to teachers. If our curriculum is not carefully thought through and structured, it can act as a straitjacket on teachers and learners, undermining their capacity to explore and engage through education. If the curriculum is over burdened in content areas, over prescribed with mandated teaching points, over tested, over regulated, then it robs learners and teachers of the potential to engage in education with imagination, personal investment, and joy. Learning becomes a chore, for learners and teachers alike. And, often, they disengage as a result. They simply stop trying.
In my many years as a teacher and teacher educator, I have always believed that teaching is among the most creative of professions. There is nothing more satisfying for a teacher than to develop learning experiences that enable children to understand concepts, develop skills and values, develop confidence, and enjoy their learning. The act of conceiving of and creating these learning experiences, ones that you know will bring out the best in your learners, then seeing your creative, intellectual efforts work in the classroom, and seeing children grow and want to keep learning as a result, is the key reward for the teacher.
To achieve this, curriculum needs to be freed up, becoming a crucible for fostering creative imagination rather than a straitjacket encouraging disengagement. We need a flexible curriculum, far less prescriptive than we generally have now, which encourages teachers to engage with and be responsive to the personalities of their students, and which enables young people to become involved with and take responsibility for their learning.
How to do this? We have plenty of evidence that current curricula are generally overcrowded and too prescriptive, so a good first step would be to identify a set of genuinely necessary core competencies, skills, values and content, which are limited and restrained, and which are essential for the social and economic wellbeing of individuals (and through them, the nation). The remainder and bulk of the curriculum should take the form of flexible guidelines which teachers can respond to with imagination and creativity, thereby inspiring their children to become involved and to strive to excel. This is a strength of the current curriculum in Finland, which has been considered the global ‘gold standard’ over the last decade.
We used to have in Australia, in the 1970s and 80s, strong and successful state-based cultures around school-based curriculum development – ones which enabled schools and their teachers to craft engaging and relevant curriculum developed from a clear but limited systemic curriculum framework.
These cultures (like the culture currently emphasised in Finland) had strong expectations of teachers as highly responsible, creative and professional individuals, based on high levels of trust of teachers. Unfortunately, later neo-liberal political ideologies and governance (from both sides of state and federal politics) gradually eroded these cultures. Examining and re-valuing the strengths of these previous curriculum cultures in Australia might be a good place to begin in conceiving how a less centralised, less crowded and more responsive curriculum would work for learners and their teachers.
Secondly, we have plenty of examples of thinking about curriculum, learner motivation and pedagogical approaches which respect the role of learners in learning, and teach us how to be inclusive of the tastes, preferences, talents and humanity that learners bring to their learning and their schools. People who have provided conceptual and practical clarity in their related writings include John Ainley, James Beane, Garth Boomer, John Dewey, Jacquelynne Eccles, Michael Fullan, William Glasser, Susan Groundwater-Smith, Roger Holdsworth, Stephen Kemmis, Tony Knight, Carl Rogers and R.E. Young amongst many others.
These contributions assist us in conceiving of more responsive, dynamic, shared and inclusive learning environments and communities, and of how to create effective and positive relationships between teachers and learners. They show us how these approaches can benefit and stimulate ALL learners – not just the most academically capable.
This, the ‘how’ of curriculum, is just as important as the content it contains. The ‘how’ of curriculum, the way we enable young people to engage in learning, must encourage young learners to make an intellectual and emotional investment in their learning by having input into how it is designed and conducted. That is the real beginning point to their engagement – enabling their committed buy-in to the process of formal learning.
Thirdly, in our teacher professional learning and development opportunities, in both the pre-service and in-service career stages, we need to continually emphasise the role of teachers as professional, imaginative and creative transactors and facilitators of learning. My own suspicion is that too many of our teachers may have come to regard teaching as having become de-professionalised – a profession in which they are simply expected to teach to the dot points the syllabus or school program contains, and to teach to the test.
Those teachers who do feel this way are being quite realistic – an over-crowded, over-mandated, over-tested (and often politically driven and destabilised) curriculum is de-professionalising. We need to give back to our teachers the opportunities and curriculum development skills to create curriculum and learning experiences that capture the hearts and imaginations of our children and young people.
Clearly, some of the above solutions to curriculum may require agitation by the profession and community, leading to macro, politically-endorsed reforms. In the absence of these, there are still very positive things that can be created by schools and classroom teachers from an over-prescriptive curriculum. Many formal curriculum and syllabus documents are not, on a closer reading, necessarily as prescriptive and confining as they first appear. Many mandated themes, topics or teaching points can be interpreted and adapted by the teacher, who can choose what to emphasise within particular topics, how much time should be allotted, what teaching approaches, activities or approaches to assessment might be used, and what opportunities there are to provide students with learning choices. With imagination and creativity, flexibility, personalisation of learning and responsiveness can often be crafted from curriculum documents which may initially seem too prescriptive and unforgiving.
Teachers who do manage to find this flexibility have the opportunity to create spaces in the curriculum into which they can invite their young learners to discuss, craft and conduct learning activities and the content they focus on. These teachers often feel great personal and professional fulfilment when they do engage with their students around their personal learning preferences, and achieve great learning motivation and improved academic outcomes with their learners – even on tests like the NAPLAN (without them having to emphasise the practising of the test).
Let’s return to my opening movie analogy. Imagine instead a classroom in which children and young people are continually participating by suggesting things to learn, and ways to learn, activities to do, ways to assess their learning, and in which they help their teachers to drive learning and learning outcomes. Imagine the creative energy that might drive the group, and the outcomes that might be achieved. Unlike the movies you are forced, unwillingly, to see, this is learning where you see the point, and want to engage, because it is in some ways your curriculum – as a learner (or a movie goer), you help to own the choices. Our curriculum design must be smart enough to enable learning to be personalised, flexible and responsive. Anything less risks more teachers feeling de-professionalised, and more learners in our schools choosing to disengage.
The formulation of possible selves through music and singing April 21, 2015Posted by Editor21C in Early Childhood Education, Engaging Learning Environments, Primary Education, Secondary Education.
Tags: arts education, boys' education, creativity, learning and the brain
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from Sarah Powell
There is a range of research now surrounding the connections between music and the brain and the effect of music on learning. For example, in Australia the work of Anita Collins focuses on what happens in the brain when a person plays a musical instrument. From the UK Sounds of Intent is a project that investigated musical development in children with learning difficulties and subsequently produced resources to support educators.
The work of Kate Stevens, Peter Keller and Barbara Tillman from UWS, and Gary McPherson from the Melbourne Conservatorium of Music, University of Melbourne, demonstrates the significant research being undertaken in the area of music and neuroscience. In addition, the recent contribution to this blog from Associate Professor Sue Roffey highlights the reduced emphasis on creativity, critical thinking skills and well being in the new curriculum. Research demonstrates that music (and other arts) has a definite impact on the brain, on learning, on memory, on well being and in the case of my research, identity.
I came from a different perspective in my doctoral research. Rather than using numbers to justify the impact of music and singing, I asked individuals to share their personal stories and because of other research themes (masculinity, success) I focused on males who sang in choirs. So I set out with a different agenda to that of the neuroscience underpinning the research identified above and despite my different angle, it became abundantly clear that music and singing has a profound effect on the identity of an individual.
With this is mind I considered the role of identity from the perspective of possible selves (Markus & Nurius, 1986). Possible selves are the formulations or descriptions of a future self or selves. They represent desired, expected, or feared future selves, and sometimes a combination of these. The theory argues that a person’s present or current self is not simply defined by their past, but by their perceptions of the future as well.
Possible selves have been described as what a person wants to become, what they expect to become, or what they want to avoid or fear becoming (Cross & Markus, 1994; Freer, 2009, 2010; Markus & Nurius, 1986; Sica, 2009). The past is remembered as positive or negative experiences and whilst these experiences shape the future they do not determine or restrict it. Whilst past experiences cannot be revisited in a physical sense, the associations that are retained as memories remain potent and regulate a person’s desire to pursue or avoid a perceived end point. Strahan and Wilson (2006) suggest that it is not simply the memory of an event or circumstance that has influence. Rather, it is “how the past was recalled” (p.4).
Amongst other things, participants in my research were asked about their past experience of music, particularly during their school years. All were currently involved in music in various capacities and planned to continue in this way or develop their involvement further, and they all described positive school experiences. They identified music and singing as a normal part of their life at home. They had parents and grandparents who enjoyed singing, playing musical instruments or listening to music.
Participants reported enjoying classroom music at school and having numerous opportunities to be in the band or the choir, and many received instrumental tuition at school. Interestingly many participants attributed their present path to their past and their subsequent aspirations for the future. The sense of music and singing being part of the individual was strong:
Singing is quite an intimate thing. You’re revealing a lot about who you are in a sense (Secondary School Choir, Year 12 student).
This attitude was coupled with a very strong enjoyment of singing, communicated by all participants in some way:
I love singing, it’s my favourite thing to do, anywhere any time (Junior School Choir, Year 5 student).
Without question, the ability to produce some beautiful sounds in performance is rewarding, emotionally satisfying (Community Choir, male aged 50+).
The research demonstrated that the identity of these participants was built on family background and traditions, grounding them in something bigger than themselves but still intimately connected. It contributed to self-confidence and healthy self-perception in the here-and-now and it provided an outlet for personal expression and spirituality. It provided purpose and direction for the future, offering choices and opportunities for career and pleasure. It also gave them meaningful spaces to work collaboratively and creatively and to develop deep friendships.
Not only is neuroscience proving that music impacts the brain and learning in positive ways, but people are revealing that music and singing is an integral part of how they define themselves. It has significant ramifications for the formation of identity as well as personal well being and must be part of a child’s education. I will conclude by mentioning the work of Sir Richard Gill who continues to advocate the necessity of providing quality music education to every child, arguing that the impact of arts education is broader than simply teaching music:
The very things that promote literacy and numeracy are the arts, beginning with serious arts education in the early years. If we want a creative nation, an imaginative nation, a thinking nation and a nation of individuals, then we must increase the time for arts education, especially music education. If we want a nation of non-imaginative robots who can do tests, then we are well on the way to achieving that condition (Richard Gill’s Blog, 2011).
Cross, S. E. & Markus, H. R. (1994). Self-schemas, possible selves, and competent performance. Journal of Educational Psychology, 86(3), 423-438. DOI: 10.1037/0022-06188.8.131.523
Freer, P. K. (2009). ‘I’ll sing with my buddies’ – Fostering the possible selves of male choral singers. International Journal of Music Education, 27(4), 341-355. DOI: 10.1177/0255761409345918
Freer, P. K. (2010). Two decades of research on possible selves and the ‘missing males’ problem in choral music. International Journal of Music Education, 28(1), 17-30. DOI: 10.1177/0255761409351341
Markus, H. & Nurius, P. (1986). Possible selves. American Psychologist, 41(9), 954-969. DOI: 10.1037/0003-066X.41.9.954
Sica, L. S. (2009). Adolescents in different contexts: The exploration of identity through possible selves. Cognition, Brain, Behavior: An Interdisciplinary Journal, 13(3), 221-252.
Strahan, E. J. & Wilson, E. (2006). Temporal comparisons, identity, and motivation: The relation between past, present, and possible future selves. In C. Dunkel & J. Kerpelman, Possible selves: Theory, research and application (pp.1-15). New York: Nova Science Publishers, Inc.
Sarah Powell is Education Content Manager at Musica Viva Australia. She is also a sessional academic in the School of Education at the University of Western Sydney, and a UWS doctoral candidate whose thesis is currently under examination.
“How to escape education’s Death Valley?” June 17, 2013Posted by christinefjohnston in Directions in Education, Education Policy and Politics.
Tags: creativity, curriculum, education and transformation, NAPLAN
by Jane Hunter
The provocation in this post is the title of Ken Robinson’s latest TED talk. When teachers at Coonamble High School in rural NSW viewed this talk recently it was greeted with thunderous applause as it concluded. According to executive principal of the school, Margaret Mulcahy: “enthusiasm for what Robinson describes in the TED talk launched what turned out to be a highly successful school development day that firmly focused on 21st Century pedagogy and the Australian National Curriculum”.
What is really interesting here is that alongside pedagogy for classrooms in more technology-rich contexts, some schools are also seeking to re-examine their focus on standardized measures of students’ performances as key arbiters of what students know in 21st Century contexts. There is disquiet in the teaching ranks and Robinson’s work, among other education scholars (Craft, 2012; Ito et al, 2013; Jukes et al, 2012; Martinez & Stager, 2013; McWilliam & Taylor, 2012), calls on governments, schools and teachers to rethink the focus of learning.
This new TED talk now forms a quartet of my favourite Ken Robinson clips, the others being What is in the school of your dreams ; Creativity, learning and the curriculum and Ken Robinson says schools kill creativity. Leaving the other clips to one side for the purposes of this post, Robinson’s most recent conversation uses the metaphor of Death Valley – the driest place on earth – to draw our attention to a new metaphor for education. Robinson explains that the possibility seeds are all in place … surviving … just below the surface and they are waiting for the right conditions to germinate and to burst into flower. He says: “Current education policies in many countries are mechanistic. The push for better data from standardised tests to give us better information to fine tune schools …. is just not true … it won’t … and it never did”. His argument is based on the fact that education is a human system and the compulsion of more tests, more conformity, less breadth in curriculum and more emphasis on teaching as task, will not facilitate good learning for students. He describes how levels of disengagement among students in schools in many countries are evidence of the failure and slippage of current ‘testing’ policies in education.
Like Robinson, I agree ‘tests and testing’ have a place in schools and in education more generally, but they are not the whole story. When governments look to standardised tests as barometers by which to gauge, success or failure, or good or poor teaching in schools, it is ‘thin education measurement’. Rich measurements of schools, teachers and students’ performances comes through using data, for example, to diagnose how students are learning, see how curious they are, understand how well they engage with the whole curriculum, and how often they are given opportunities to produce and express learning in creative ways. This type of measurement and this kind of learning takes time and time means students may cover less content but what they know is deeper, plentiful, imaginative and motivating. And, in such classrooms students are given, as Csíkszentmihályi (1996) found: “Time to get into flow in their learning” (p.22).
In new research (Hunter, 2013) exemplary teachers in Stage 1-5 classrooms in some NSW schools spoke about NAPLAN in the context of how they conceptualized their knowledge of technology integration. While the study teachers were not completely critical of NAPLAN they called for it to be re-imagined. For example, one teacher said: “NAPLAN should be telling us about our students’ progress and how I can improve my teaching” and another described its effect as meaning: “The hijacking of learning in schools right now”*. In examination of more than 500 separate references to support research in the doctoral study (Hunter, 2013), a strong case is made in the work of Zhao (2009, 2012) that shows following East Asian models of schooling (characterized by high levels of testing with recall and reproduction seen as important) in countries like China, South Korea, and Singapore will not develop young people’s creativity and entrepreneurship, nor allow opportunities for exploration, experimentation and expression of meaningful learning. Zhao (2013) cites statistics that show less than 1% of the world’s patents (as useful measures of original thought and innovation) are produced annually by China, whereas in countries like the US, patent production for the same period is greater than 34%. Other education literature (Chen, 2010; Pellegrino & Hilton, 2012; Richardson, 2012) details how ‘innovation and individuality’ are being driven out of public schools globally as a direct consequence of ‘testing regimes’. Such evidence aligns with what Robinson repeats in this recent conversation.
And finally, to return to the conclusion of the TED talk, Robinson invites jurisdictions, schools and teachers to shift the ‘testing focus’ and to think about education in a climate of possibility using his Death Valley metaphor. He reminds us of the famous Benjamin Franklin quote about three classes of people in the world: “The immovable, the movable and … those that move”. Perhaps, now is the time for educators to move?
*Submissions to the Senate Education, Employment and Workplace Relations Committee’s Inquiry and Report on “The effectiveness of the National Assessment Program – Literacy and Numeracy (NAPLAN)” were received until the 7th June 2013. The list of submissions can be viewed here.
Chen, M. (2010). Education nation. San Francisco, CA: Jossey-Bass.
Craft, A. (2012). Childhood in a digital age: Creative challenges for educational futures. London Review of Education, 10 (2), 173-190.
Csíkszentmihályi, M. (1996). Creativity: Flow and the psychology of discovery and invention. New York: Harper Collins.
Hunter, J. (May 2013 – in examination). Exploring technology integration in teachers’ classrooms in NSW public schools. Unpublished PhD dissertation. University of Western Sydney.
Ito, M., Gutiérrez, K., Livingstone, S., Penuel, B., Rhodes, J., Salen, K., Schor, J., Sefton-Green, J., & Craig Watkins, J. (2013). Connected learning: An agenda for research and design. Irvine, CA: The Digital Media and Research Hub.
Jukes, I., McCain, T. & Crockett, L. (2012). Living on the edge: Windows on tomorrow. 21st Century Fluency Series. Thousand Oaks, CA: Corwin.
McWilliam, E., & Taylor, P. (2012, April 16). Schooling for personally significant learning: Is it possible? Retrieved from http://www.ericamcwilliam.com.au/personally-significant-learning/
Martinez, S., & Stager, G. (2013). Invent to learn: Making, tinkering and engineering in the classroom. Torrance, CA: Constructing Modern Knowledge Press.
Pellegrino, J. W., & Hilton, M. L. (2012). Education for life and work: Developing transferable knowledge and skills in the 21st century. Retrieved from http://sites.nationalacademies.org/xpedio/groups/dbassesite/documents/webpage/dbasse_070621.pdf
Richardson, W. (2012). Why school? How education must change when learning and information are everywhere. Thousand Oaks, CA: Corwin.
Zhao, Y. (2009). Catching up or leading the way: American education in the age of globalization. Alexandria, VA: ASCD.
Zhao, Y. (2012). World class learners. Thousand Oaks, CA: Corwin.
Zhao, Y. (2013). Keynote address at Inspire and Innovate Conference, NSW DEC, April.
Jane Hunter is a Lecturer in the School of Education at the University of Western Sydney, Australia. She researches in the field of technology and learning, pedagogy and teacher professional learning.